Import and export XML for third-party workflows like color grading and sound mixing.Export audio stems and multiple versions of a finished video using roles metadata.Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo and YouTube.Accurately view HDR on the MacBook Pro and Pro Display XDR.Powerful color wheels and curves for precise adjustments with keying and masks.Import, edit, and deliver video in standard color spaces, or in Rec.Sync video with separate audio in a single step with instant audio waveform matching.Apply intuitive Logic-based effects and reduce background noise to isolate voices.Expand and edit multichannel audio files directly in the timeline.Assign roles during import to easily track and organize your project.Choose from an ecosystem of third-party FxPlug plug-ins with custom interfaces.Change the look of titles, transitions, and effects using intuitive controls.Beautifully animated, easily customizable 2D and 3D titles.Work with a broad range of formats including ProRes, RED, XAVC, AVCHD, Avid DNxHR®, Avid DNxHD®, H.264, HEVC, and more.Unrivaled performance with optimizations for the M2 Pro, M2 Max and M1 Ultra chips on the new MacBook Pro and Mac Studio.Improved speed and efficiency on Mac computers with Apple silicon.Locate duplicate media in the timeline using highlighted clip ranges or the Timeline Index.Smart Collections dynamically organize content for you to quickly find any shot in a few clicks.Apply custom keywords or favorites on the fly as you select clip ranges.Create proxy copies of your media for portability and performance.Organize your work within libraries for efficient media management and collaboration.Extend the capabilities of Final Cut Pro with third-party workflow extensions.Create, edit, and deliver closed captions from within Final Cut Pro.Import and edit 360° equirectangular video in a wide range of formats and frame sizes.Automatically transform projects for square or vertical delivery with Smart Conform.Edit multicamera projects with automatic syncing and support for up to 64 camera angles.Change focus points or the depth effect for video shot in Cinematic mode on iPhone (requires macOS Monterey or later).Powerful drag-and-drop Object Tracker automatically matches titles and effects to the movement of faces or objects.Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline.The Magnetic Timeline uses advanced metadata and Clip Connections for faster, easier editing.Perfect for the occasional user, but just as effective for the full-time creative.Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought. ![]() ![]() The pricing feeds into this: you get a highly capable and powerful program for, not just a low price, but one you can drop at any time. I’ve never really rated the iPad as a camera just because of its ergonomics, but there’s no denying it’s just tremendous for framing your shot.Īpple’s skill here has been to create something intuitive and advanced at the same time. There’s an integration between the app and the iPad, for instance the iPad Pro, which means you can use the camera on the tablet with great levels of control. Thankfully, there are video tutorials to help the beginner (and everyone, actually). In my week or so with the app I feel I’m still just scratching the surface. This is a seriously fast and responsive app.Īnd there’s certainly plenty to discover. You can film on multiple cameras at the same time and the app can sync them up automatically, making switching between camera angles easy.Įverything is smooth and seamless, a reminder that the M1 processor or more powerful is what made this new version of Final Cut Pro possible. Pro videographers will find plenty of useful stuff. More fun are effects such as lines you can draw on top of the footage, so it adds them in real time. Similarly, the Focus Blur, which aims to work like a bokeh effect, is not usable in every situation without looking a bit work-in-progress. In extreme cases, it’s a rough-and-ready effect which looks cool but incomplete. That’s the theory but in practice the content defines how well it works. Like the Scene Removal Mask which cuts out the background and leaves the subject. Scene Removal Mask (on an admittedly very challenging, moving background).
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